GRAND GUIGNOLERS: UPCOMING

IN DEVELOPMENT

THE FRENCH CARNIVOLUTION
revolution. carnival. apocolypse.

After several years of research, Artistic Director, Debbie McMahon, is developing a spectacle production on the French Revolution through the lens of myth and Carnival. The Revolution is a shift in human consciousness, a movement that begins to replace the sacred with the profane and where man takes God's place. It is the seminal Revolution, the birth of Melodrama and the monster manifesting in mob. Hope was most glorious and The Terror was Hell that surfaced on Earth. And the Austrian, Marie-Antoinette, said nothing about cake.

Like other companies of the boulevard theatres pre-revolution, the Guignolers were forbidden to perform actual plays onstage. The official theatres (i.e. Comedie Francaise) had the monopoly on the scripted plays leaving the boulevard theatres to find creative theatrical techniques: pantomime, puppetry, in one case a company was able to perform a script with a scrim hung in front of the stage. But revolution meant freedom - in 1791 a law passed enabling any theatre to do any material, and the Guignolers were able to tear down that veil. But in attempt to gain order in the chaos of revolution, the revolutionary government later imposed even greater censorship than pre-revolution, forbidding theatres to even depict an aristocrat onstage. Being politically uncorrect onstage could cost you your life. We say, enough.

WELCOME: It is 1794. The Guignolers invite you to a secret performance in which they, and you as audience, risk their lives to perform and witness the story of the revolution thus far, both the destruction and rebirth inherent in carnival: to celebrate the glory and to reveal the truth of the terror. It is carnival and apocolypse. It is celebration and hell. For the last time, we tear down that fucking veil. Welcome, to the French Carnivolution.

Theatrical tools: melodrama, storytelling, puppetry, medieval passion plays, live music, historical dance, mask, tableux vivant, original memoirs, pamphlets, clowns, devils, a Guillotine, the mouth of hell,

To contribute financial support, time, production and/or artistic talent - designers, actors, musicians, please contact us, info@grandguignolers.com.

Click here for the regularly updated BIBLIOGRAPHY used in the research.

LET THEM EAT...

let them eat...

A STAGED READING OF A NEW PROJECT:

THE MAN WHO LAUGHS
By Debbie McMahon. Based on the book by Victor Hugo.

** FREE ADMISSION ** SUNDAY MAY 11 AT 2PM
MARK TAPER AUDITORIUM at the
THE CENTRAL LIBRARY LOS ANGELES

ATTENTION: Filming will close major streets surrounding Central Library from 6 a.m. to 1 p.m.; please allow extra time. The closure will affect traffic and public transportation in the area. Pedestrian access to Central Library may be momentarily interrupted. Vehicles must use the Grand Ave entrance to access the West Lawn Garage adjacent to the library (travel west on Fifth St., turn left onto Grand Ave., the garage entrance is the first driveway on the right.) CONSIDER TAKING THE METRO!

For ADA accommodations, call 213.228.7430 at least 72 hours prior to event.


PARKING: Bring your library card for a parking validation for $1 parking. Entrance is on Flower Street. Or take the Metro! The Pershing Square station is a block from the library.

ABOUT: From the man who brought us Les Miserables and The Hunchback of Notre Dame. Set early 18th Century, the story features the son of a condemned nobleman, Gywnplaine, sold by a king to child-traders who permanently disfigure him by carving a smile into his face (inspiration for The Joker). The man whose deformed face bears “the stigmata of a laugh” becomes a clown. Virtue vs. vice, the grotesque vs. the sublime and a prophecy of the coming of the French Revolution are encompassed in this powerful and moving story.

This a piece in development. Be part of the process! Please come to the reading and share your feedback. In writing or in person: come chat with us post-reading at the Bitmore Hotel bar just across the street.

CAST: Hugo Armstrong, Brandon Breault, Anatol Felson, Jared Fladeland, Christine Lakin, Shannon MacMillan, Claire Mannle, Lisa McNeely, Debbie McMahon, Karl Ramsey, Stephen Simon, Roy Starr, Tina Van Berckelaer, Stacey Wilson.

Direction: Debbie McMahon
Poster Artwork: Asa Shumskas-Tait
Toilet paper wigs: Shannon MacMillan
Masks: Tony Fuemmeler
Make-up Special Effect: David Brooke